Borgolavezzaro

A sud del capoluogo, Borgolavezzaro ha origini romane, come confermano reperti e monete conservati nel Museo Civico di Novara. La località è ricordata in documenti del secolo XI. Nel 1254 venne rifondata, riunendo i villaggi di Astelo e Caronno, come Borgo Franco dal podestà P. Lavezarius di Novara.
Borgolavezzaro has Roman origins, as confirmed by coins preserved in the Museo Civico di Novara. The village is mentioned in documents of the eleventh century. Borgolavezzaro was established bringing together Astelo e Caronno.
| Abitanti/Inhabitants number: 1997 |
Superficie/Surface: kmq: 21,21 |
Altitudine sul mare/Altitude: 337 m |
| Denominazione degli abitanti/Inhabitants: borgolavezzaresi |
Altre località/Towns: La Cascinetta, Mulino Vecchio |
Cascine/Farms: Caccia, Longona, Maddalena, Sbarra, Valstorta |
| Festa patronale/Patrons: S. Giuliana |
Telefono/Phone: Prefisso 0322 |
Codice Postale/Postal code: 28071 |
In the centre of town oon the road towards Mortasa lies the 18th century Longoni palace, which Longoni, a landwner of Borgolavezzaro, caused to be built as his private residence. In 1849, during the first war of independence, the building was the headquarters of Field Marshal Radetzky. It has belonged to the commune since 1873 and is the premises of the primary school. The main wing of the building is long, on two storeys, with two projecting elements towards south. Along the southern façade at ground floor level runs an arcade, with basket arches, which once faced onto the garden. Inside the wooden dealings of the floor are still visible, as well the handsome main stairway, the only one remaining of the original three.
The parish church of St Bartolomeo e St Gaudenzio, in the square in the centre of town, was planned in 1858 by the architect Alessandro Antonelli and built between 1858 and 1862. The old church of 1289 was dedicated to St Gaudenzio but not invested with parochial status since another church, situated beyond the river Arbogna and dedicated to St Bartolomeo, already fulfilled this role. It was not until 1568 that the new building in town replacing the medieval one was recognised as the parish church. Antonelli’s construction, in the neoclassical style, has a single nave in front of which is a vestibule with four granite columns and Corinthian capitals which support an architrave and tympanum. The high altar of polychrome marble in the interior dates from 1754. The 17th century bell tower was incorporated into the new building.
A short way from the centre, on the main road to Mortara, stands the church of St Rocco, built in the Baroque period and partly reconstructed in 1742. The interior contains a fine wooden statue of St Rocco and some relics of the saint. The church also has a pipe organ made by Mentasti of Novara in 1890. The 19th century tower designed by Giuseppe Rosina in the original structure, neogothic in style, and built entirely in brick. Also worthy of mention is the church of St Mary which dates from the 15th century. It is situated outside town on a little hill near the cemetery, and was partially restored around the middle of the 17th century. It contains a fresco showing the Virgin and Child dated 1503 and a 15th century crucifix.
This country house is in the open country on the road from Borgolavezzaro to Nicorvo. It was built in the 16th century by the Caccia family, mobles from Novara and the former feudatories of the village from 1449 to 1560. The building was extended in the Baroque period and has an enclosed square courtyard. Traces of the Baroque style can be seen in the dilapidated 18th century meridian and in the law vaulted structure of the stables.
The farm buildings owes their present appearance to alterations of the 19th century, in which the original nucleus of two edifices was considerably extended. Known in former times as the Assunta farm, it was the property of the chapter of Novara cathedral and is situated on the Molino canal.
This is a group of small habitats typical of the old Po plain, gathered together in an area of about two hectares. The best examples of indigenous vegetation are to be found in a pond of deep water in which there is a little island reached by a wooden bridge; in hillocks rising out of the surrounding flat terrain; in a copse covered with alders; in a small patch of cat’s-tails and an equally small reed bed; in little ditches and in a remnant of woodland. Today the Campo della Ghina has the importance of a botanical garden in that it offers a concrete comparison for the purpose of identifying trees and shrubs; to this end an example of each species has been classified with the Italian name, the scientific name and, where known, the name in dialect.
The open-air ecological laboratory “Agogna morta” has the purpose of safeguarding the last big oxbow lake of the river Agogna in Piedmont. In 1991 a project was set up for reintroducing on its banks and adjoining land the vegetation of the wetlands and the original woodland of the plain. Research on the evolution of the flora is being carried out: the area has been subdivided into lots in which the effectiveness of the various possible methods of caring for the new plantings is being studied. The experiment of natural reforestation with exclusively indigenous species also includes The monitoring of the existing population of mammals, birds, reptiles, amphibians and fish, as well as the study of insects and the evolution of “funghi”.
This piece of land, within a much lager area with identical characteristics, is formed of very fine sand and even cut areas. It is a soil type whose formation has its origins in the alluvial deposits of the last Ice Age and in the subsequent reshaping due to the wind, and which is known here as “sabbioni” (coarse sand) and in the neighbouring Lomellina district as “dossi”. The sabbioni are being increasingly threatened by the largescale removal of the sands forming them and are fast disappearing. The aim of the Campo della sciura project is to protect this distinctive geological structure and to reintroduce, by replanting them, the oak woods which when free from human interference, represent the original vegetation of these lands
Photogallery